Neil Corman Photography

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  • When looking at the design elements of Harpa in Reykjavik in Iceland there are many ways to view the building. As I walked around photographing the building over the course of time what I was seeing would change. In this image it was the angle which gave the exterior of the building, as captured from inside, the look of chains linked up together. With this in my mind I changed the was I was photographing to vertical to make those chains longer in the frame.
    Chains-Harpa.tif
  • The main concert hall in Reykjavik is Harpa which was designed to resemble the landscape around Iceland. As I walked around the city and passed by the building I would always stop as throughout the day and varying conditions the facade looks quite different. For this image I zoomed in at the gap of the two main components of the complex. This allowed the detail of the building to show as well as giving the glass different sizes in the frame based on their location.
    Details-of-Harpa.tif
  • The times I have stood in front of Harpa it never is the same. As the environmental elements change so does the appearance of the building where if you were to take this same image over multiple days you would get a differing result. For a while I stood in this location and watched it change as the sun went behind the clouds on this early September day. With Reykjavik also being so far north the position of the sun changes drastically over the course of the year as well which also provides differing directions of shadows from the light.
    Front-Harpa.tif
  • The patterns of Harpa in Reykjavik are quite interesting. With the layers of glass just moving a little will give you a different perspective of the building with the varying lines. As I moved around the building I looked at the different compositions with not only the materials of the building but also how the light hit the building during the course of the day. In this image I was working on the repeating lines and patterns which exist on the building and stacking them upon each other.
    Patterns-Harpa.tif
  • As I walked away from Harpa I looked back and noticed the walls of patterns climbing and the light coming through the structure. Just by moving a little I was able to position the light in a spot to get this effect as the structure just allowed a little hint of light. With the sun not taking over the sun it allowed me to capture the details of the building and the varying patterns.
    Sunlight-through-Harpa.tif
  • It is not the exterior of Harpa which gives much to take in and photograph, the inside is full of interesting elements as well. While walking around the building I noticed the shadows in the various areas of the complex. As I headed up to the second floor I immediately came across the following scene. The challenge here was to position myself to capture the color reflection, but also not to block traffic which was in the building at this time as well. I experimented with having people walking through the scene, but ended up with the image of just the shadows on the floor of Harpa.
    Harpa-Patterns-Ground.tif
  • While I spent much time photographing the details of Harpa in Reykjavik, I also did capture some of the entire building to help provide context. Looking at a building like this can be quite overwhelming about where to photograph first. When I first walked up to Harpa it was from along the shoreline which allowed me to key in on some detail of the building first prior to moving around to explore all the little pieces. This let me get comfortable with the different shapes and patterns prior to starting to photograph other areas, and also taking breaks to allow my mind to reset and start new in different areas.
    Harpa.tif